CornPuf Performance @ IFP Studio

CornPuf performance rehearsal at IFP Studio, an edible spatial drawing.

collections

Went to visit WuangGuang Xu in his studio, we saw some work of him in Taikang Gallery in Chaochangdi. In march Xu, Tianji, Wuzhou, me and more will organize an exhibition together.

Went to visit WuangGuang Xu in his studio, we saw some work of him in Taikang Gallery in Chaochangdi. In march Xu, Tianji, Wuzhou, me and more will organize an exhibition together.

Two dragons on a stone snake.

Two dragons on a stone snake.

Small talk: a wind, a flock, a flicker, and a long and winding corn-puff

Halfway up the clouds standing on a thread my time here will come to an end, just a day before the world itself.

I would like to invite you for a intimate presentation: a peek into found inspirations, everyday objects and bigger things to come. All will be led by some tangible objects, anecdotes, experiments, and an edible sculpture.

Sunday December 16th, 8pm sharp. IFP Studio.

Focus

Small street interventions made of suspended magnifying glasses that focus light of their surroundings. (2/5)

Puddle
A small street intervention with glowing liquids.

Puddle

A small street intervention with glowing liquids.


Dinner together while preparing the opening of SaYiZheng.

Dinner together while preparing the opening of SaYiZheng.

Materials

Some times you find a material somewhere unexpected. While eating a delicious meal I got  fascinated by the texture of the single-use tablecloth that was used on our table. Partly paper, partly plastic strangely light and soft, extremely thin yet textured.

I had to ask if I could take one. To take home, I tried to explain, not to have a new one on the table. Strange foreigners they must have thought.

For SaYiZheng I made two works, this is one:

Puddle

Two puddles of liquids where poored out in a dark street. People who passed by would get one of the liquids on there shoes or tires and so accidently mix the one liquid with the other. When the two different liquids from the two puddles come in contact their mix lights up. A soft trail of glowing footsteps would emerge crossed trough with tire tracks. The light up trails slowly disappear or get relighted by new footsteps.

For SaYiZheng I made two works this one of them
Focus #1 (of 5)
A magnifying Glass suspended with fishing wires hangs in such a way that it creates an upside down projection of a brightly lit object. In this case a streetlight.

For SaYiZheng I made two works this one of them

Focus #1 (of 5)

A magnifying Glass suspended with fishing wires hangs in such a way that it creates an upside down projection of a brightly lit object. In this case a streetlight.

backdrop

Tianji and me like to take a stroll trough the neighborhood at night. When night falls it is extremely quiet out here. The hutongs have very few streetlights but are often brightly lit by the moon. We peak trough the curtains that have lights behind them. Mostly revealing sleeping people. A whole family in their storefront. Mom and dad between the packed goods in the isle and the kids on top of the racks containing dry goods. The camper I lived in is bigger then the houses and stores whole families live in. Or seven construction workers in one big bunk bed; Strangely comforting and unsettling. Some are deeply asleep while others watch a movie on a dvd player closely cramped together. 

It is cold these days. Gloves are a necessity. Every afternoon an old lady positions her little stool to catch a beam of sunlight as it passes our courtyard. She smiles at the sun while breathing small cold clouds. Every now and then she has to reposition to stay in the path of the sun. I look at this from my studio window. The word backdrop (背景) has the moon (月) under ‘Bei’ ( 北- North) and the sun (日) over ‘Jing’ (京 - Capital). The sun and moon as the backdrop of Beijing.
SaYiZheng 撒癔症: a stroll, a dream, a seizure, a cold nightin the hutongs. An exhibition.One that takes place away from remote art districts, whitewashed walls of institutions, deserted month-long programs, and away from the light of day.
You are invited to a cold still November night, a few narrow hutongs inside the labyrinth of the old city. Some works act as signals, others gradually rise from or fade into darkness, blending into the backdrop made of rows of cabbages and street furniture.The local Beijing slang “sa yi zheng,” or “throwing a fit” refers to aimless wanderings in the night. Derived from a disorder similar to sleepwalking, patients may experience temporary hysteria in their sleep and wake up without any knowledge of the happenings throughout the night.Let’s sleepwalk our way into this dream within the hutongs, these hutongs within dreams. See it before you wake up.SaYiZheng is a one night exhibition with Chinese and international artists in Doujiao Hutong and surroundings. 2012. 11. 23 Friday 21:00Supported by Institute For Provocation and Star Gallery

SaYiZheng 撒癔症: a stroll, a dream, a seizure, a cold night
in the hutongs. An exhibition.

One that takes place away from remote art districts, whitewashed walls of institutions, deserted month-long programs, and away from the light of day.

You are invited to a cold still November night, a few narrow hutongs inside the labyrinth of the old city. Some works act as signals, others gradually rise from or fade into darkness, blending into the backdrop made of rows of cabbages and street furniture.

The local Beijing slang “sa yi zheng,” or “throwing a fit” refers to aimless wanderings in the night. Derived from a disorder similar to sleepwalking, patients may experience temporary hysteria in their sleep and wake up without any knowledge of the happenings throughout the night.

Let’s sleepwalk our way into this dream within the hutongs, these hutongs within dreams. See it before you wake up.

SaYiZheng is a one night exhibition with Chinese and international artists in Doujiao Hutong and surroundings. 2012. 11. 23 Friday 21:00

Supported by Institute For Provocation and Star Gallery

Found the object in the drawing. Thank you garage-man.

Found the object in the drawing. Thank you garage-man.